The Plot to Kill the Slam Dunk
The Plot to Kill the Slam Dunk
[excerpt]
Even though Chamberlain turned pro after his junior year, basketball's ongoing height crisis was nearing its apex. The sport was too easy, too dull. To many, it just felt wrong. "Point Orgies May Hurt Hoop Sport," declared the Salt Lake Tribune in 1957. "A basket has become so cheap nowadays that the fans have nothing left to cheer about," Bill Sharman of the Boston Celtics said in 1960. Height had made such a mockery of the game that some coaches were resorting to counter-mockery. Nobody listened to his suggestion to raise the hoop to 14 feet—no, really—so for one game in 1955, Los Angeles State coach Sax Elliott had his team wear lifts, adding as much as six inches of height. The opposing coach, Utah's Jack Gardner, agreed the sport had gotten "boring." "Basketball fans get more enjoyment from watching a five-man game," rather than just a relentless effort to feed the big man, he told the New York Times the following year. Yet the game's popularity grew alongside its players. That same year, NBA commissioner Maurice Podoloff said, "I doubt that any other sport could stand this type of criticism of its basic foundations. Basketball, however, flourishes."
Nevertheless, the rim wasn't the only fix people had in mind. Some other common suggestions: no backboard, a convex backboard, a 20-inch distance between backboard and rim, a smaller basket, a bigger ball, a smaller ball, a two dribble limit, a height limit, a 1-point zone near the basket, a no-scoring zone near the basket, and a foot cap that, like a salary cap, would allow a team to divide 30 feet among the five players on the floor (believe it or not, this idea actually came up often).
None of these came to fruition, but the NCAA rules committee didn't exactly shy from drastic measures. In 1967, after a year of watching UCLA's Lew Alcindor dominate, they banned the dunk. They'd failed to contain Russell and Wilt, but the next great center wouldn't have it so easy. Alcindor didn't mince words about the prohibition, which he saw as driven less by compe ive concerns than cultural ones. America was changing in the 1960s, and desegregation and the Civil Rights movement meant that the racial makeup of college basketball was changing as well.
"The dunk is one of basketball's great crowd pleasers," he said, "and there is no good reason to give it up except that this and other ******s were running away with the sport."