keep one up in the chamber for the jackers and dope fiends
fools come tough, get rowdy, kick down doors, show mother ers that youre bout it, bout it
"I be like breezin thru that East Bay
R-I-C-H-M-O-N to tha C-A
That's where I still be at
EACH DAY"
--Silkk
"I'm breakin them es off,
Puttin 'em in the trunk,
Ridin' around P-A, 'bout it
Hostages blowin skunk,
Cuz gettin' rid of enemies to me ain't really nuthin' nuthin'
Pimp C and ho's in ninety six will break you off somethin'."
--Pimp C
mention pimp c and timvp will be in here talking about pre-kori, smoking joints in doghouses days
timvp would be like
"back when we were utah jazz fans living in california..."
A one song CD given to me by someone very special...
Dandy Warhols - Welcome to the Monkey House
Ozomatli - Street Signs
So are you saying you wouldn't be friends with me??
Come on Mookie. Keith Urban is some quality stuff. All I ask is that you don't knock him till you try him. Maybe you and CBF need to have a little listen...
I guess it's always a plus to show enthus on here...
See I might just know what good to listen to too. :p
Last edited by Kdfelicity; 12-21-2005 at 06:51 PM.
do you want a wu-tang cd for xmas?
Wu Tang's not exactly my cup of tea but I do fancy 2pac.
I'll make you a deal though, you listen to every song on Keith Urban's Be Here album and I'll listen to an album of your choice.
^^^^^
I thought she was going to say she had Lost on CD
But, Keith Urban is Austrailian for chode - he ain't good, he ain't bad.
I think yall are just jealous that Keith knows how to work the ladies...
He could so much better than Nicole freakin Kidman :vomit
I'll take this as a clue that his music sucks.
The Best of Sade
WU-TANG CLAN AIN'T NUTHIN' TO WITH
also, props to Zac for re-visiting the revrend
I need to do the same!
timvp was never a Utah Jazz fan.
He might have to ban you for that statement.
Or maybe just kill you.
norah jones
The killers
Chamillinaire
Paul Wall
Twista
Lloyd Banks
Lil Wayne
Pit Bull
Frankie J
Invisible Touch (Atlantic; 1986) is the group's undisputed masterpiece. It's an epic meditation on intangibility, at the same time it deepens and enriches the meaning of the preceeding three albums. It has a resonance that keeps coming back at the listener, and the music is so beautiful that it's almost impossible to shake off because every song makes some connection about the unknown or the spaces between people ("Invisible Touch"), questioning authoritative control whether by domineering lovers or by government ("Land of Confusion") or by meaningles repi ion ("Tonight Tonight Tonight"). All in all it ranks with the finest rock 'n' roll achievements of the decade and the mastermind behind this album, along of course with the brilliant ensemble playing of Banks, Collins, and Rutherford, is Hugh Padgham, who has never found as clear and crisp and modern a sound as this. You can practically hear every nuance of every instrument.
Invisible Touch (Atlantic; 1986) is the group's undisputed masterpiece. It's an epic meditation on intangibility, at the same time it deepens and enriches the meaning of the preceeding three albums. It has a resonance that keeps coming back at the listener, and the music is so beautiful that it's almost impossible to shake off because every song makes some connection about the unknown or the spaces between people ("Invisible Touch"), questioning authoritative control whether by domineering lovers or by government ("Land of Confusion") or by meaningles repi ion ("Tonight Tonight Tonight"). All in all it ranks with the finest rock 'n' roll achievements of the decade and the mastermind behind this album, along of course with the brilliant ensemble playing of Banks, Collins, and Rutherford, is Hugh Padgham, who has never found as clear and crisp and modern a sound as this. You can practically hear every nuance of every instrument.
Honestly, that was and still is on my top 10 favorite albums list!
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