If young black players usually cherish untrammeled creativity, white hooplings mostly value more team-oriented concepts. "White basketball means passing the out of the ball," says Dawkins. "White guys are more willing to do something when somebody else has the ball — setting picks, boxing out, cutting just to clear a space for a teammate, making the pass that leads to an assist pass. In white basketball, there's a more of a sense of discipline, of running set plays and only taking wide open shots. If a guy gets hot, he'll get the ball until he cools off."
Why is white basketball so structured and team-oriented?
"Because the white culture places more of a premium on winning," Dawkins believes, "and less on self-indulgent preening and chest-beating. That's because there are so many other situations in the white culture where a young kid can express himself."
As the twig is bent, so grows the tree. When Dawkins and the Sixers squared off against the Portland Trail Blazers for the NBA championship in 1977, Philadelphia's most dynamic players were Julius Erving, George McGinnis, World B. Free, and Dawkins.
"They beat us in six games," Dawkins recalls, "and the series marked the most blatant example of the racial difference in NBA game plans. We were much more flamboyant than Portland, and certainly more talented. We had more individual moves, more off-balance shots, more fancy passes, more dunks, and more entertaining stuff. But everybody wanted to shoot and be a star (including me), and nobody was willing to do the behind-the-scenes dirty work."
Meanwhile, the white players at the core of Portland's eventual success were Dave Twardzik, Bobby Gross, Larry Steele and Bill Walton. Dawkins notes that "Even the black guys like Lionel Hollins, Mo Lucas, Johnny Davis, Lloyd Neal played disciplined, unselfish white basketball. Credit their coach, Jack Ramsay, for getting everybody on the same page."
As much as Dawkins respected Portland's game plan, however, he was never crazy about Walton. "The guy was a good player who could really pass and had a nice jump hook," Dawkins opines. "What made Walton so effective was that he was surrounded by talented players who wanted to win and weren't concerned with being stars. Personally, I think that Walton was, and still is, full of baloney. Back then, he had this mountain-man image, he smoked lots of pot, and I don't think he bathed regularly. And the league let him play with a red bandana tied around his head. To say nothing of his involvement with Patty Hearst.
"If a black player ever tried any of that kind of stuff he would've been banished from the NBA in a heartbeat. Yet in spite of all the messed up things Walton did as a player, now that he's a TV announcer all he does is tear down everybody else. The guy still ticks me off."