If we were viewing as you describe then we would be observing the author of the story, not the story itself.
Why?
Because the story is allegory, that is, the symbolism you are referring to, and as such, I will summarize that it is a popular form of literature in which a story points to a hidden or symbolic parallel meaning.
Certain elements, such as people, things, and happenings in the story, point to corresponding elements in another realm or level of meaning.
The closer the resemblances between the two realms, the more detailed is the allegory.
The best allegories are interesting, coherent stories in their own right and through the story provide new insight into the realm they depict.
Semitic parables, including the Gospel parables, have varying amounts of allegorical elements.
Those with many corresponding elements in both realms are properly called allegories.
Are you still with me on this?
Allegorical interpretation, sometimes called allegorizing, is interpretation of texts that treats them as allegorical, whether or not their author intended them to be allegories.
Allegorical interpretations even of true allegories can be misleading, either in incorrectly identifying the corresponding elements in the referent or in identifying corresponding elements where no correspondence was originally intended.
Either allegorizing error usually detracts from the coherence of the message the author intended.
Such unwarranted allegorizing was prevalent in the later church fathers and often ludicrous in gnostic circles.
Does any of this make sense to you?
To further summarize, Galatians 4, Paul The Apostle reveals both Old/New Testaments are allegorical by saying Abraham's sons Ishmael/Isaac by bondmaid/freewoman mothers Agar/Sarah are allegorized as two covenants (testaments). They are also allegorized as two mountains (Sinai/Sion), even as two cities (Jerusalem below/Jerusalem above).
Now does it make more sense to you that I have gone into such detail that I had to actually refer to the book itself?